Make your music broadcast-ready with Frankford Wayne™ mastering, only $485

Only Oasis clients receive these exclusive prices for legendary Frankford Wayne™ broadcast-quality mastering.

I’m delighted to offer you direct access to multi-platinum Frankford Wayne® broadcast quality mastering. This is a once-in-a-lifetime chance to put a broadcast-ready shine on your disc – at a decidedly down-home price.

Frankford Wayne has mastered albums for many of the most famous names in the music industry. They can give your recording that rich, full sound that will put it over the top. Now, when you press your discs at Oasis, their resources are at your disposal for an unprecedented price.

And because you’re ordering from Oasis, if you’re not happy with the results you don’t pay for them. We’ll run your master the way we initially received it from you and refund your mastering fee. But trust me, you’ll be astounded by the new sound you get from Frankford Wayne.

Not sure whether your recording needs mastering? Call 888-296-2747 for a free review of your master. I promise you an honest opinion. We’ll never try to sell you something you don’t need.

Using Frankford Wayne Mastering?
Click here to download their Mastering Questionnaire.

Please note: Oasis has relationships with many other wonderful mastering facilities throughout the country. If you have a successful relationship with one of these, we expect that you’ll want to continue to do your mastering there.

(Not sure whether your recording needs our mastering assistance or is already good to go? Call 866-409-8170 for a free review of your master, or click here to chat live with a knowledgeable Client Advisor. We'll tell you what we think – honestly, and without trying to sell you something you don't need.)

Before & After Mastering Examples

“Stand” – Screaming Orphans
A well-mixed recording was submitted. Our goal was to add some fullness to the low end, a bit more punch, and bring the overall level up to be competitive in this genre.

Before Mastering

After Mastering

“Partytown” – Jaye Q
The goal for Partytown was to tighten up the bass slightly, and make sure the vocals and high end popped, as well as raising the overall volume of the track while trying to maintain the punchy feel of the original mix.

Before Mastering

After Mastering

“Everything Changes” – Audra
EQ changes were minor, simply adding a bit more presence to the mix overall, and again bringing the average volume up while respecting the integrity of the music and not pushing too far for all out volume.

Before Mastering

After Mastering

“Give Me Forever” – Symon Hajjar
Subtle EQ changes to ensure the vocals were clear and the mix had more presence. Some editing and separate processing of the different areas of this song were required to try to preserve the dynamics that existed between the verse/chorus sections while still bringing the overall level up to an acceptable level.

Before Mastering

After Mastering

“Joyride To Tijuana” – Motel Drive
This mix was approached with the goal of filling out the bottom slightly and increasing the overall level while trying not to take away from the raw feel of the mix, which suits this music well.

Before Mastering

After Mastering